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The Murders in Rue Morgue

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  1. The Murders in Rue Morgue

 

 Zhipeng Wan

 

I concur with the topic that Zhipeng Wan found to be most interesting is all about coincidental; thus, from that his stand, the theme I found to be interesting is death. Notedly, death is defined to be the fact or action of dying or being killed; hence, leading to the end of life or being killed; thus, leading to the end of life. Therefore, this is evident in the text when Wan says that there are also several illustrations concerning the purpose of the killer in the plot, as the purpose of the killer and even how the killer performs this act of murder. In my opinion, in the beginning, some individuals perceive that the killer is an irrational individual; some people perceive that maybe it is a madman. Some people think that it is a demon or a monster. However, the shocking co-occurrence is why the killer takes away life but fails to take away the gold; hence, it focuses only on death.

 

Gengkun Lian

I was interested in the use of colors and smell to present mood and personality. Various colors are used in the novel to show revulsion and repulsion. For instance, the yellow color is used to indicate the disgust that Paul possesses for his home. He even fears to get back into his room due to the yellow wallpapers the room has. Even when he is at the Waldorf hotel, he won’t stop thinking of the yellow wall lining. Additionally, the counter clerk is infatuated with the color red. He has his mouth and face in red. He believes that red color replicates his desolate nature that is conservative now. Paul has a huge sense of distaste for a particular smell of food. He links a sickening sense of smell to the food he used to eat in his house in Cordella. He feels revulsion when he remembers the look, color, and smell of the food and even sprays cologne on his hand to erase the smell he thinks is still on his hand as a result of feeding on the food.

 

Bobbi Lee

Notedly, the word that I picked to be interesting is amazing, which is considered a reaction or feeling of surprise. The connotation of this term is portrayed when Bobbi Lee says that I was amazed at the vast extent of his reading. And, above all, I felt my soul enkindled within me by the wild enthusiasm, and the vivid freshness of his imagination, yet the action being demonstrated is considered to be negative. Therefore, in regards to the theme of death, this term is used to describe how the events which lead to death took place; hence, leading to death. For instance, an instant afterward, I recollected myself, and he was amazed; thus, when first noticing that Dupin commented something that he was only perceiving about and even never said out loud. In my opinion, this term was being used to describe killing to be something that is not supported in human life.

 

Haizhi Wang

The main topic that impresses me, according to this text, is investigative analysis. I agree with Haizhi Wang that to give a solution to the murder case, the essential thing to perceive is the possibility of someone being a murderer and how this act might have been done. Ideally, this theme is evident in the text, and it is seen when Haizhi states that the impossibilities in this novel include motives of the murders, ability, and the manner of escaping. Hence, to begin with, analyzing the motives is always the first thing that the investigator would probably view to be the most effective and could be used to connect the possible murderers with the accident.

In my opinion, the investigation of the bodies and the intimations in the room shows that the killer must be somebody incredibly solid. Besides, the homicide additionally appears to be difficult to have occurred in a bolted room. The outrageous physical force and the method of getting away from that point put forth this defense incomprehensible for a human killer.

 

Keqin Yu

The main topic that impresses me, according to this text, is slavery, which is discussed within the context of the story. I agree with Keqin Yu that the aspect of slavery is brought about in the story when noted that Edgar Allan Poe lived during the period when the United States of American capitalism was developing rapidly and even on sensitive issues like not only political power but also slavery conflicted the north and even the south. Additionally, the story revolves around the murder of a mother and a daughter who lived in Rue Morgue, and they were slaves. Therefore, through the cunning thinking of investigator Dupin, it is discovered that the Ourang-outang murdered the mother and girl. The thinking procedure for the situation is astounding and intriguing. As I would see it, there are additionally political subjects behind this analyst novel, that is, the issue of subjugation (slavery) and the opposition of dark slaves.

 

 

 

Di Lyu

I agree with Di Lyu that the moment you read the section of the murders in the Rue Morgue, there is a possibility that you will be touched. Hence, this qualifies this novel to be interesting and classical.

Nonetheless, the image I find interest in is visual. Visuality is an essential clue whenever instigation is being conducted. Through the cunning thinking of investigator Dupin, it is discovered that the Ourang-outang slaughtered the mother and girl. The thinking procedure for the situation is astounding and intriguing. As I would see, there are also political subjects behind this analyst novel, that is, the subjugation issue and the opposition of dark slaves. Moreover, the aspect of visuality is portrayed when Ourang-Outang, the killer for this situation, was initially caught by mariners and secured a wardrobe with an injury in the foot, which mirrors that he is a casualty, hence through the aid of seeing his injured feet he is viewed to be the murderer.

 

  1. Occurrence

Gengkun Lian

 

Ideally, I am for the opinion that the topic of this novel should be sorrows of life. The regret of demise is uncertainty concerning whether we acknowledge beauty and satisfaction before we come to the sorrowful moment or even die. Moreover, it is a kind of experience that is composed of fear that makes humanity feel at a loss. In my opinion, this theme is evident when the story closes with the deplorable reality that Farquhar passed on. His body, with a wrecked neck, swung tenderly from side to side underneath the woods of the Owl Creek connect; hence, this signifies sorrowful moment. I agree with Gengkun Lian; this is an exceptionally large mental effect on the reader, uncovering an extremely precise human demise psychology.

Additionally, it is incredibly conflicting, excellent, and cheerful, yet additionally practical and upsetting. Contrasted and the material world, the reasonable Ambrose Bierce passes on to the readers that powerless sentiment is trivial. To put it plainly, individuals are stressed over death in light of vulnerability and dread of passing up a great opportunity.

 

Gaoyi Chen

I chose to discuss masculinity in the context of how Peyton Farquhar is described. He is described as having a good features-a firm mouth, a straight nose, a broad forehead with which his dark and long hair was straightly combed. The hair fell behind his ears and to the collar of his already well-fitting frock wool coat. Furthermore, he is portrayed as having a mustache and a rather pointed beard with no whiskers. Nonetheless, his eyes were large and dark grey in color and had a kind expression that made no one expect since his neck was in the hemp. He is handsome and appears to be affluent and seems to be a typical male despite the impression of the vulgar assassin. He is a normal gentleman and a hero. Furthermore, he is described as a brave, highly intelligent, and sensitive figure, which is the typical portrayal when it comes to manhood.

 

 

 

Fuyou Zheng

 

I believe delusion is evident in the world of fantasy in the figure of Northern scout. The scout is disguised in a gray outfit of the soldier from the Confederate. The version of the truth that he projects provides a version of reality while, in essence, embodying a different truth in which the reality is blurred. Up to the time when delusion is already in the third phase is in full blow, the reader is fully embroiled in the misapprehension, which for both Farquhar and the reader has already become a reality. Furthermore, trying to distinguish the truth from delusion desperately is not the focal aim of both the reader and the writer. The delusion that the Northern Scout is a true confederate troop leads Farquhar to his own demise, which is the sad belief that he is already evading opens up the reality that he is already on the verge of death even though he isn’t aware of the whole delusion.

 

Keqin Yu

The main topic that impresses me, according to this text, is the probation period. This theme is illustrated under one of a kind, imaginative strategy received by the creator. The story starts to delineate Farquhar’s area being hanged and his psychological state before his passing; hence, signifying that his probation period is yet to take place. In my opinion, the author portrays in detail Farquhar’s perishing life and the terrible circumstance of confronting demise, just as his intuitive impression of reluctant to pass on. The mind-boggling feelings of dread, misery, awfulness, resentment excite the reader’s sentiments of despising war and longing for harmony. Thus, all these express end time for a living human being.

Nonetheless, Bierce is practically debilitating his creative mind to depict the mischief war does to live. For example, the writer portrays Farquhar’s agony with the sentiment of his spirit in the condition of death. I agree with Keqin Yu that from this state, he was stirred – ages later, it appeared to him by the torment of a sharp weight upon his throat, trailed by a feeling of suffocation as he experienced how life comes to an end.

 

 

Yuru Duan

I agree with Yuru Duan that demise is considered to be a dignitary who, when comes and it is announced, is welcome with respect in the form of manifestation. Moreover, this statement, which finishes up the primary passage of the story, are the notions of Peyton Farquhar, a Southern soldier and slave proprietor who is going to be hanged by the Northern armed force. In my opinion, the quotation not only displays Bierce’s preference for aphoristic but also epigrammatic language; however, it likewise breaks liberated from the quiet and formal readiness of the Union powers for Farquhar’s hanging.

I concur with Yuru that the scene takes on a formal quality as the soldiers approach their obligations, and, in those minutes, Farquhar is considering passing. He feels how those that are generally acquainted with demise get it with deference, in any event when it comes reported.

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